NaNoWriMo Writer's Workshop Webinar 14Oct2015

14 October held the first webinar for NaNoWriMo. These authors have amazing insight into different ways of dealing with their books, managing time, and getting unstuck in their writing. Everybody has different ways of writing. Watch this and find yours.

Just don't listen to the authors when they're talking about snacks. You want your brain to be focused on healthy eating. 

FOCUS!

(click on the words, not the image. I'm not HTML savvy enough to make it an easy click.)

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Writer's Workshop

5 Must-Dos for Creating Believable Characters

She came to you in a dream, at the dinner table, in the shower. What did she tell you? Did she speak at all? Did her looks explain everything?

The majority of writers understand they cannot completely control their characters. Why? When you create them they become their own person. The writer is just there to report the journey through the conflicts they made. 

(If you need help with conflicts, start here: Conflict and Character.)

I've read from several reference books on how I go about creating characters. It's not so much that they help me come up with one, they help me dimensionalize (oh yes, new word) them into helping me create plot. Once you understand your characters it's easier to make the plot-plot-plotting as you type-type-type your pages. Your characters are the ones that move plot as they deal with the conflicts you've put in their way. Does that make sense? Comment if it does or doesn't.

To figure out your character the best way is something we all know and love, but somehow we get the descriptors prioritized differently, perhaps wrongly. What do I mean: the color of your character's hair does not matter when it comes to the reader (unless it's purple, or it's an indicator into something else in the story, or both). The reader cares about caring: the heart, the mind, the soul. Create your character from the inside-out, and let the outside reflect inside. 

Designing Your Character

1. Establish Goals and Motivations
2. Prioritize Traits
3. Believe The Lie
4. Cue their "Aha" Moment
5. Flesh Out the Face (and body...and hair)

Here is my character template sheet I customized on Scrivener. If you don't have this application, I wish I could throw it into your computer right now, so you could get to work on it right away. But I can only send you this handy link from Literature & Latte. (It's a free trial; please take advantage! I adore Scrivener. It makes outlining and note-keeping so much easier. I'm an index-card kinda gal and this app really works for me. )

BRIE'S BODACIOUS CHARACTER TEMPLATE:

Look at all that craziness. Okay. It's not totally crazy. Actually makes some sense. Are you ready for the explanations? Here we go:

Establish Goals and Motivations

This is foremost because this is your plot-driver. Your character is nothing without desire, and your book is plotless if the character isn't wanting enough to be motivated. Establish a concrete goal and figure out why they are motivated to achieve it. 

A motivation might be an over-protective family and the goal might be freedom to be their own person. 

I have a character who comes from an abusive household. She wants to be independent and do her own thing but her family restricts her. The motivation might also be the conflict. It depends and that's another subject. Focus!

Prioritize Traits

You don't want an info-dump to make the reader groan and toss your book aside (or over the fence...cough). Put your character in pieces throughout your story. What trait do you want to show first? Choose wisely. The first trait is the one that'll stick to them the entire book. Like a first impression. This trait will be in their first scene. Are they a womanizer? Lazy? Hot-headed? Family-oriented? You choose. And then choose another. Remember Shrek? Your characters are onions. Make them sweet, sharp, or purple (purple poppin' everywhere today!), but peel the layers one by one, and give your reader a taste. Just a taste.

Believe The Lie

The Lie is their belief. What do they strongly believe in? What are they convinced about that is their truth? 

Possible Lies: 

• all women are manipulative See-You-Next-Tuesdays
• You can only rely on yourself
• money brings happiness
• people are too stupid to live independently
• killing murderers is not murder, it's justice

K.M. Weiland wrote an excellent post on Believing the Lie and it's where I got all the questions for it: The Lie Your Character Believes

Cue their "Aha" Moment

Characters will grow. They will change. Their belief system may be shattered. An "aha" is the moment of realization. Their Lie will be put in the spotlight and crushed before the character's eyes. Truth rises from The Lie's remains and the character sees everything, from their first scene up to the "Aha" moment. What has changed? Why? How? If your character has no "aha" moment, there is no growth, and the reader will be left empty, and your book flying over their fence.

Flesh Out the Face (and body...and hair)

I said the outside should reflect the inside. Now is the time to look at their personality through their goals and motivators, their traits, and beliefs, and consider their physical appearance. A lot of factors come into play here: their location, origin, discipline, vocation, positive or negative traits, finances, etc..

You're not going to have a soldier with long hair and a beard (unless they're special ops) but maybe they have a tattoo that indicates something more. Or a woman who is very uptight and doesn't have a single wrinkle in her wardrobe. Maybe you have a rebel teen who can't afford a professional haircut, so they cut and dye their own hair against their parent's wishes.

Physical descriptions are lesser priority than what will help move your story. There are a couple exceptions that I use, but they don't overrule the goals and motivations which push the characters through conflict.

Ultimately, it's up to you. I have given you my template in hopes of inspiring you to build your characters with depth.

My character sheet is from months of adding and subtracting what I need to make it work for me. As you can see, I have "Food" and "Song" as a helper.

I'm a former chef who worked in the Navy for eight years. The culinary world is a part of me and I know how it feeds into people's lives (you see what I did there?). Favorite food might not be priority, but it gives me perspective on my character. Kinda like going out on a date with them outside the book and just seeing them as a person. That's this blog, by the way: Dating Your Characters.  Their food doesn't even have to show up in the book; it's just something to help dimensionalize them.

Just like the Song, which is my interpretation of their theme. When I need some motivation to write and need to get into a character's head, I have a playlist. But their theme song generalizes that playlist. For instance, my boy Caelum's song is "King Me" by Lamb of God. I listen to it if I need to and feel the anger, the frustration, the driving factor of him. That's why it's in the template. Add Song to your template, if it helps you.

What would you add to your template? Would you take away anything? Please comment below and tell me if this helped or didn't help. I'd love to hear from you.

I'm also on Facebook if you wanna stalk me there. 

Say Hi!

Hi!

Conflict and Character

Apologies if my posts for this week and next seem distracted. I have good reason: my husband returned from deployment! Yay! We've missed him fiercely, especially our little monster. Happy to be under the same roof again.

We're Whole Again

As a military family, we are bombarded with obstacles. We signed up to serve our country (yes, I served for a while, but got out when we had our son) and face conflict only 1% of this nation will ever experience. Those conflicts are why I love fantasy genres. Anything to escape our reality is the best story, as long as it is, really, the best. I want a book that entertains and steers my mind from current events, the real world. I want conflict that I won't deal with if I was at sea or at home. I want an escape.

But I also want to relate to the characters. Conflict with unappealing characters means I close that book, either putting it down, or throwing it across the room. Maybe I won't even touch it at all...(cough) Twilight.

I mean no one is going to care about my husband working in the Navy if they don't understand why he puts up with the deployments all the time. There's conflict and then there's character. It's characters that drive the story. Conflict only propels them to reveal who they really are.

One reason I started writing is because I got sick of people eating up these awful books that have the weakest female characters in the world. They're not role models and they sicken me. They get published and I can see why: the conflict is believable in its genre, but the characters are lacking for some reason. Maybe it's just me, but I don't find boring personalities entertaining. They're...boring. Or annoying. This usually happens when their motivations are lackadaisy.

So how do you get out of that rut? I have some characters that I debate on allowing their existence. But I set them aside because I know they're not ready to tell me who they really are. Or I have characters that I never knew existed and there they are. My prot goes into another world and I'm just as surprised as she is to find out all the different people that live there. And it works for me. If I'm not intrigued, the reader isn't intrigued. It's a journey I love to go on despite my need-for-control quirks. Because if the story isn't driven by the characters you know and not know, then the story isn't believable. The conflict is there but the characters are who go through the conflicts. If you force them to go through the motions to solve situations, readers will know.

I can go into great detail on creating characters that aren't boring but that's very basic and I think new writers have more potential for nailing this part than they do balancing out conflict with character. So let's focus on the balance.




What is CONFLICT? Anything that hinders your character to satisfy her desires. Much different from a delay or incident, like a gun just out of reach when a victim falls while the attacker is closing in. The conflict is the attacker, not the delay, which is the gun inches from fingers.

Conflict will exist when your character has a goal. Make this goal clear to your reader.

For example: (Goal) Svetlana wants to be her own person. (Conflict) Her father, Ruslan, forces her to join the military.

The conflict will elevate when both try their hardest to achieve their goals. What makes this more dynamic is understanding the inner conflict that goes with the external. Sveta's external is her dad, and her internal would be her rebellious nature, or maybe her insecurity to stand up to him.

And goals will change because the person changes. And that's fine. What is important is that the reader must care about the character before the conflict matters. Most readers are character-driven. Humans are social creatures and naturally seek connections with others. If they don't care, they won't read. The conflict will bring the story to life by the character's motivation to reach their goals, and the reactions brought on by the conflict. Your story's core is emotion. Why is the character pushing through to the end? Why should we care?  Answer these for yourself. Ensure your story has characters we'll care about.

In the book Writing with Emotion, Tension, & Conflict, Cheryl St.John writes this principle: "What the character is doing is not as important as why he is doing it. What's happening is not as important as how he reacts to what's happening."

I highly recommend this book to study her take on conflict, although I disagree with her when she says that being angry and bickering "is acceptable for antagonists because it characterizes them, but your protagonists must have more depth." She talks about conflict not being the foot-stomping moments. What I disagree with is prots being more in depth than antagonists. The ant and the prot should be equally-motivated, if not more.

Antagonists are the ones with the most depth, I have read. They are the characters I love because they have relatable reasons to do what they do. You see? It's character-driven, not conflict. When the story has two characters with believable motivation to achieve their goals no matter what conflict, it makes for a more compelling read. When you adamantly know every character's motivations, you will soar through your writing. And St.John also explains this. And I agree with her. But let that antagonist shine.

Find some writing exercises to help develop your conflict and understand your character's motivations. Choose your protagonist, and come up with one sentence to describe their goal. Is their goal based on the conflict or is it based on personal desires? Will their goal change throughout the story or remain the same?

Do the same for your antagonist. Are they the conflict to the protagonist or is it something else? Will their goal change?

How might each character's inner conflict fight their external conflict? Will they think one way and act another?

Have fun this weekend! I'll be spending quality time with my sailor and catching up on some personal development. Later kiddos.